Who’s seen 'Robocop'? How about 'District 9'? Of course you have; they’re both great movies. Drama, action, rebirth and redemption, a mechanical underdog to root for: that’s what great robot movies are about.
'Chappie' – the latest effort from South-African writer/director Neill Blomkamp – is most certainly a robot movie, but it’s clear from the start that the required ingredients to make it a great (or even a moderately acceptable) robot movie are seriously lacking. It’s got some drama. Action: a little. Rebirth and redemption: meh. An underdog to root for? You’ll be too busy cringing at his cheesy dialogue with South African rap royalty Ninja and Yolandi Visser of Die Antwoord playing Die Antwoord-as-gangsters-wearing-Die-Antwoord-tops-but-we’re-still-gangsters-honestly-I-promise.

The more Visser becomes involved in the dialogue, the more you can practically see the cogs turning behind her eyes every time she says a line. A generally plodding plot, the ridiculous Chappie-talks-gangsta moments, and the fact that we are meant to believe drug-dealing murderers 'turn good' in the end, thanks to spending a few days with a childlike robot, are difficult to accept. When Moore attacks Chappie and saws his arm off, what do his new friendly murderous friends do? Just attach another one by pressing it into the socket, obviously; no training in mechanical engineering required here, no sir.

With a finale that is almost lifted straight out of 'District 9', and featuring the inevitable showdown between Chappie, Moore, Wilson and the gangsters in an explosive (literally, not dramatically) few scenes, the movie comes to a close in predictable fashion, but it’s an anti-climactic feeling of missed opportunities when the last-of-many Die Antwoord song plays as the credits role.
Do yourself a favour and stick to 'Robocop'; even the remake, if needs be.
'Chappie' is in cinemas now.