The dimly-lit band room of Melbourne's Northcote Social Club set the perfect stage for the ominously enticing sound of The Veils.
Revered by famous creatives such as Tim Burton and the late David Lynch, the folk/ goth rockers led by frontman Finn Andrews have garnered a reputation and fan base that has stood the test of time.
Fresh off the release of their latest album 'Asphodels', The Veils provided a night full of old and new (5 November).
Patrons arrived early to savour the intoxicating vibes of the night's openers, Beth and Blue. Formed as a collaborative project between artists Imogen Grist and Marcus Index, their lyrics and sound showcase their total creative freedom.
Much like the main act, Beth and Blue are not easily confined to a singular genre. They encapsulate elements of dream pop with a similar gothic energy.
The set list provided a snapshot into their versatility, with the duo's ethereal and somewhat haunting harmonies captivating the audience and setting the tone for the rest of the show. The performance was met warmly by the growing crowd, creating plenty of new fans who walked straight to the merch table.
The atmosphere in the crowd felt intimate and full of anticipation as The Veils entered. Andrews conversed with the crowd as if catching up with old friends, perhaps recognising some from early tours to Melbourne.
Sitting at his keyboard in his distinctive wide-brimmed hat, Andrews and his fellow bandmates launched into a selection of 'Asphodels' tunes. This was met warmly by the crowd, with many already singing along to new songs such as 'The Ladder'.
The Veils at Oxford Art Factory (Sydney) on 6 November, 2025 - image © Sinan Beytas
After multiple folky ballads, Andrews switched from keyboard to guitar, signalling a shift in energy that was reciprocated with the crowd. Playing with an infectious ferocity, The Veils blitzed through multiple heavier tracks; Andrews' powerful songwriting and equally powerful voice on full display.
The incorporation of a multitude of instruments and effects culminated in an experience that left many in a trance-like state. Finishing the initial set list with fan favourites such as 2016's 'Low Lays The Devil', the band were able to encapsulate their broad sound within one show.
The encore brought Andrews back to the keyboard as he played three of the band's earliest tracks, taking the time to reminisce on the early songwriting years and giving thanks for the journey had since.
A lucky night for an intimate Melbourne crowd, excited for future projects.
