Despite its oil reserves Iran has suffered economically due to international sanctions imposed by Western countries who fear the conservative and often erratic policies of its hardline religious leaders.
It is against this backdrop that Iran’s burgeoning film industry operates. In fact, Iranian Cinema is currently one of the most active in the world, producing nearly 100 features every year – the same number coming out of the UK or three times Australia’s output.
So, given the environment, why is it that the Iranian state is by far the largest investor and distributor of Iranian movies? It is a question that is not easily answered given the socio-political climate of this nation which is home to more than 80 million mainly Shia Muslims.
But the films being produced today are not what you’d expect from a nation known for its arch conservatism, notorious censorship laws and repressive cultural dictates. In fact, many Iranian movies explore what are considered the cornerstones of Western decadence – sex, drugs, infidelity and the pursuit of capital.
'Life Without Parole', (or 'Life and a Day') falls in to this category. It has all the hallmarks of Iranian film – an unmarried girl, family betrayal, and an angry older brother. The twist here is the entire family are involved in drug trafficking or at least are complicit in the family’s trade and use of methamphetamine and opium.
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Set in South Tehran, this fast-paced movie chronicles a struggling family as they prepare to send off a sister to Afghanistan for a marriage arranged by her eldest brother. Somayeh is at a loss. Her only desire is to leave her family and fulfill her destiny, but the love of her sick mother presents complications.
Her elder brother has introduced her to an Afghan man who wants to marry her and take her back to his country. Despite herself, but moved by her brother’s concern, she accepts the offer, seeing it as a means of escaping her family. And then, at the very last minute, she discovers the hidden face of the marriage proposal. While the underlying intention is not made clear, the implication is she has been sold to re-pay a debt.
There are many unanswered questions in this hard hitting, sometimes funny but intense film which sees the women subjugated and demeaned by the men of the family, who clearly see women as providers and servants. It is a rich, complex and compelling film which will have you thinking way past the credits. The cinematography is world class and the production overall is faultless.
Directed by 26-year-old Saeed Roostaei, 'Life and a Day' won nine prizes at the Simorgh Awards at this year’s Fajr International Film Festival, including those for best director and best leading actress.
This is a must-see film for those seeking a fresh look at a culture most of us have little understanding of.
★★★★☆ 1/2.
