Danse Macabre takes the cake.
Death is inevitable. Throughout history humanity has developed diverse methods of reflecting upon its own mortality. 'Torte e Mort' is a modern cabaret burlesque incarnation of a memento mori; a Latin term translating to “remember you must die”.
Reflection upon the inevitability of death can cause examination of the futility of seeking excessive indulgence. Nobody is more aware of this than the ghost of decapitated French Queen Marie Antoinette – Anya’s main guise in the show. Anastasia sleekly transforms into two other deathly forms: the Grim Reaper and the Devil. No matter what her form, Anastasia delivers a message that is much needed in our 21st Century consumerist society.
As a cabaret performer, Anastasia possesses an array of skills: quirky original lyricism, infectious pop melody composition, agile dancing ability and fearless audience engagement. Her music is perhaps a blend of the likes of Amanda Palmer and Tim Minchin; equal parts pain and whimsy.
While Anastasia is a creative dynamo in her own right, this show also owes much to the direction of famed Melbourne collaborators Yana Alana (Sarah Ward) and Sue Broadway. Percussionist Bec Matthews does much more than provide a beat; she provides cheeky comic relief during the essential costume changes and her presence adds charm to the show.
Whether clothed in luxurious fabrics or stripped to the bone, Anya Anastasia exposes all to the audience, taking risks by baring body and soul. The themes that are dealt with are dark and the discussion of them could provoke in the audience momentary discomfort. Anastasia never dwells in the darkness too long, however, and there is always a new pun or surprise lurking around the corner. 'Torte e Mort' is a treat to die for.
'Torte e Mort: Songs Of Cake And Death' performs the Royal Croquet Club until 21 February as part of Adelaide Fringe Festival which runs 12 February – 14 March.
