Gobby Review @ Adelaide Fringe 2020

'Gobby'
Our eclectic team of writers from around Australia – and a couple beyond – with decades of combined experience and interest in all fields.

'Gobby' is an inventive, heartfelt creation by writer/comedian/performer Jodie Irvine, filled with emotional ups and downs, as well as a steady flow of comedy and witticisms that balance out the dramatic subject matter. It is a fun, self-aware and at times brutally honest one-woman show.


Irvine tells the story of character Bri as she deals with experiences following an emotionally abusive relationship, the effect that had on her friendships for years after, the person who helped her through it, and the realisations that led to her growth and increased self-awareness. It is a courageously vulnerable story, singular but perhaps familiar to many women. It is unique in its focus on what happens after rather than during a toxic relationship, and the emotional work involved.

Irvine tells of her experiences with being ‘too much’, ‘too emotional’, ‘too loud’ and ‘caring too much’ in a world that doesn’t always honour these qualities in women. The word gobby itself – British slang for someone (usually a woman) who talks a lot – shows the stigma toward talkative women, and attempts to silence them. The show breaks stereotypes and the assumption that women who are loud or talkative wouldn’t be silenced by abusive situations.

The humour in 'Gobby' is witty and self-deprecating at the same time as ‘taking the piss’ out of the characters around Bri. Irvine has a great stage presence that comes across as warm, genuine and exuberant. She engages the audience, and at times runs around and dances without a hint of self-consciousness that can sometimes occur in a one-person play.

There are cute props like balloons with party hats, or party poppers to represent different characters. Her performance style is believable and flows well even as she plays multiple different characters of different genders. The voices of characters did change slightly over the course of the play, but it was still clear who was talking due to the creative use of props. The party poppers, music and lighting are utilised well for extra effect in the dramatic moments of the play.

The openness and vulnerability is a strength of the show, as it brings up important but overlooked issues impacting women, without gratuitously depicting domestic violence. It is a conversation-starting piece of work that is at the same time fun and entertaining.

'Gobby' plays The Bally at Gluttony - Rymill Park until 15 March.

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