Two brand-new works will premiere in the inaugural season of 'Encore' at Brisbane's Thomas Dixon Centre – a performance honouring the talents and abilities of retired, ex-professional dancers.
Inspired by the internationally renowned dance company Netherlands Dance Theatre III, 'Encore' is based on the idea of offering opportunity to mature dancers who have retired from a professional dance career but still embody incredible skills and wish to explore how this looks like at a different stage of life.
The two new works are choreographed by Rani Luther and Richard Causer, starring Paul Boyd, Rachael Walsh, Justine Summers, Camilo Ramos, Wendy McPhee, and Riannon McLean. 'Encore' is a fresh, renewed experience for some of Australia's best talents to shine on stage once again.
The production will also featured interviews with legends of the industry, Li Cunxin AO, David McAllister, Roslyn Dunn, Daniel Gaudiello, Lana Jones and Bradley Chatfield
We spoke to 'Encore' Choreographer and Program Curator Rani Luther about this exciting assemblage of talents and what they'll be bringing to the show at Thomas Dixon Centre in Brisbane.
“By doing this, it carves the way for greater understanding and hope in guiding younger elite performers and athletes who have such a short life span in a professional industry that relies entirely on the body. Most elite performers who have dedicated their lives to a physical career go through a huge transformation when the body can no longer maintain such a demanding lifestyle. As it does not seem to be a common topic of discussion, I would like to endeavour to change that by highlighting how there are many fulfilling career paths after a life on stage.”
“The path from retirement can be a very difficult, scary, lonely and at times long one in redefining one's sense of self and purpose, while finding a new identity. I hope by offering annual seasons for the mature artists, it builds a bridge for all ages of performers to have an outlet and realisation that a career on stage does not need to end before 40. “
This is a renewed opportunity for retired ex-dancers. What does this kind of event mean to you?
This season means the world to me both as an ex-professional ballet dancer and choreographer, but also as an advocate for the mature performer. I am thrilled to be creating a platform that honours incredibly talented seasoned artists, who have devoted their lives and careers to the art of dance. The rich value of experience, mature artistry, and immense knowledge these dancers have amassed over a life in the dance world, exudes from every part of their minds, bodies, and souls. I am extremely excited to have the opportunity to shine a well-deserved and needed light on these dance greats, with the vision to sustain the 'Encore' season well into the future and provide mature dancers a renewed chance to shine on stage. I am excited to explore what movement is possible at a later stage in life and how the shift from physical excellence of youth gives over to the sublime expression of artistry and a sound and undeniable stage presence a little later in life.
And why do you think an event like this one is important?
Australia is bustling with exceptionally talent artists of all ages and stages, so I believe it is important to help illuminate the value seasoned performers can make to society, while bringing beauty, meaning and joy to all involved.
Justine Summers
What do you think is the most powerful thing about dance as an art form?
I believe dance has the ability to move and transport a person through the unspoken language of movement, rhythm, emotional connection and creative expression. The sense that all humans are made up of the same thing no matter one’s age, background, culture or religious belief, is really embedded in how dance and the arts can unite people. This powerful art form is as primal as the heart beat itself.
When did you realise dance was something you might be good at, and how did you get your start?
Dance chose me, I didn’t choose dance. I have loved to move and react to music from as young as I can remember. My mother took me to a performance of the Australian Ballet when I was just five years old and I loved it but said to her, “I want to be up there one day mum”, so from that point developed a very determined focus and unwavering goal to become a dancer. I didn’t even realise at such a young age that a career in dance was possible, but I just knew I needed to dance.
What sorts of things can audiences expect from ‘Encore’?
Audiences can expect a unique and moving experience in watching seasoned performers take to the stage in the craft they know best. The two new works in 'Encore' this year are 'Butterfly Effect', choreographed by myself, and featuring Justine Summers, Paul Boyd, Rachael Walsh, and Camilo Ramos. The second work 'Apartness And Callosity' choreographed by Richard Causer, features Wendy McPhee and Riannon McLean. Both works explore very relatable human emotions and content, whilst the movement is very physical for a cast ranging in their 30s, 40s, 50s and into their 60s. The idea that age is just a number is at the heart of this whole project and hopes to inspire anyone with a creative dream to pursue it at any age.
Rachael Walsh - Image © Ken Sparrow
There will also be filmed interviews with a few industry legends. What does this add to the performances?
In an art form predominately driven by movement, I envisioned it would be meaningful to hear the insights of some of our industry greats. I believe it’s important to share stories from such experienced artists, to pass down knowledge, inspiration, and guidance. These interviews will give a glimpse into the journeys and memories of their rich careers and give hope to younger performers who wish to pursue creative opportunities after a life on the professional stage.
What has been the most rewarding thing about being involved with ‘Encore’?
It’s been incredibly rewarding to highlight the legacy these incredible artists have on our industry and community. It has been a dream and utter joy working with and choreographing on these dancers. They each embody the spirit of humbleness, eagerness to learn, and unwavering work ethic, all the while giving themselves over so generously to the creative process. It’s been such a privilege to watch how the cast have taken on this project with full commitment and passion. Although at first it was a scary prospect in returning to the studio and stage after quite some time, they have all embraced the works wholeheartedly and it’s wonderful to see exceptional artists able to express themselves in this capacity.
How are you hoping audiences respond to the work?
I hope audiences walk away from an 'Encore' performance feeling inspired, emotionally touched, and in awe of the value these dance greats offer the world of arts, dance, and the wider community. I hope they respond with wonderment, big open hearts and are left wanting more.
'Encore' plays at Thomas Dixon Centre (Brisbane) 10-12 November.
